Tuesday, September 27, 2011

Melba Liston- Curt's Jazz Cafe

Archive for jazz trombone

Unsung Women of Jazz #6 – Melba Liston

Posted in Unsung Women of Jazz with tags , , , , , on September 24, 2011 by curtjazz
Melba Liston (1926 – 1999)

“When I saw the trombone I thought how beautiful it looked and knew I just had to have one. No one told me that it was difficult to master. All I knew was that it was pretty and I wanted one.” – Melba Liston
Trombonist/Arranger/Composer Melba Liston was born in Kansas City, MO on January 13, 1926.  In her early years, she shuttled back and forth between the and Kansas City, KS, where her grandparents lived.  She got her first trombone at seven, when a traveling music store brought instruments to school.  By the time she was eight, she was playing solo trombone on local radio shows.
When Melba was eleven, her family moved to Los Angeles.  There she was mentored by a local music teacher, who ran a big band made up of neighborhood children.  That relationship ended after four years, when Melba decided to join the musicians union, against the teacher’s wishes. Nevertheless, Liston joined the pit band at Los Angeles’ Lincoln Theatre at age sixteen.
When the Lincoln discontinued live shows in 1943, Liston joined the new band being formed by Gerald Wilson.  She also recorded in a group with old school pal Dexter Gordon.  Melba stayed with Wilson for five years, until his group disbanded.  She then joined Dizzy Gillespie’s Big Band, along with Wilson. That lasted about a year, until Dizzy’s band also broke up.

After joining Wilson again in a Bebop band that backed Billie Holiday on an ill-fated tour of the South, Ms. Liston gave up music for a few years. She took a job with the Los Angeles Board of Education. Music, however, was not completely out of her blood, as she continued to compose and arrange on the side.  She even tried her hand at acting for a while, landing bit parts in The Prodigal, alongside Lana Turner and in The Ten Commandments, as a harp player.
But the music was never far away from Melba’s heart, so when the State Department asked Diz to form a big band for a Middle East/Asia tour, he coaxed Liston into joining him. Though she rarely soloed during that time, she did a considerable amount of arranging.  Including “Stella by Starlight”, “My Reverie” and “Wonder Why”. These arrangements (and more by Melba) were recorded and can be heard on the Birks Works compilation, on Verve.

Diz wasn’t the only one who dug Melba’s arranging.  Quincy Jones, who played trumpet in the Gillespie band at the time, was forming a band to tour Europe. he asked Ms. Liston to join him and she agreed. In 1958, Melba Liston recorded her sole album as a leader; Melba Liston and Her BonesOn this date, Liston and an array of trombonists, including Slide Hampton, Al Grey and Bennie Green, were front and center, with solid support from Kenny Burrell, Ray Bryant, Charlie Persip and others. Co-produced by Leonard Feather, it’s a shame that this fine album drifted into obscurity.

In that same year, Melba met pianist composer Randy Weston. Weston admitted that at the time, he had never met a woman trombonist before.  Their meeting sparked a creative partnership that lasted almost 40 years.  Weston initially hired Melba to put some meat on the bones of his compositions. They realized quickly that musically, they were two halves of the same coin. Said Weston; “Melba is incredible; she hears what I do and then expands it. She will create a melody that sounds like I created it. She’s just a great, great arranger.”  All in all Weston and Liston worked on 10 albums together, including Little Niles, Earth Birth and Volcano Blues.

Melba Liston with Dizzy’s ‘Dream Band’ in 1982 on “Manteca” [Melba solos starting at 3:35]
Besides her work with Weston, Melba continued to freelance, working often with Clark Terry and briefly with Charles Mingus. Upon her return to Los Angeles in the late ’60′s, the pop music world took note of her talents and she arranged sessions for stars including Marvin Gaye and the Supremes.
Ms. Liston was very active until 1986, when she suffered the first of several strokes.  She had to give up playing and was confined to a wheelchair, but Melba continued to compose and arrange, until her death in 1999.
Melba Liston – most of her career was spent behind the scenes, but her work was always headliner quality.
Recommended Recordings:
  • Melba Liston and Her Bones (Fresh Sound) – CD in print; mp3 available
  • Volcano Blues  [w/ Randy Weston] (Verve – Gitanes) – CD OOP but available
  • Little Niles [Randy Weston] (Jazz Track [Import]) – CD in print [her first recording with Weston]
  • Khepera [Randy Weston] – (Verve) CD in print, mp3 available  [her final recording with Weston]

Monday, September 19, 2011

The Night Glenn Miller played the Springs | Sonoma Valley Sun

Posted from Diigo

The night Glen Miller played the Springs

Jeff Gilbert | Special to The Sun
Back in the big band era, a hot venue for live music was the Boyes Hot Springs Mineral Baths dance pavilion. Known as “The Plunge,” it was a popular spot during the summer months where local orchestras and up-and-coming bands enjoyed big crowds. On one of those nights, in July of 1937 the audience witnessed history.
 Trombonist Glenn Miller in early 1937 had saved up enough money to start up his own big band. Glenn had struggled through the 1920’s playing in theater orchestras and finding studio recording work where he could.  Ben Pollack, the famous drummer and bandleader, hired Glenn to play trombone. Working with Pollack was a great experience, not only playing in the band but also arranging most of the band’s tunes. By 1933 Glenn was well known for his arranging skills.
The famous Dorsey Brothers, known for their studio work, decided to put a band together that would tour the U.S. Glenn was hired as musical director and arranger and to play trombone. The Dorsey Brothers Orchestra was a success and, in 1934, Brunswick Records recorded a novelty tune Glenn called “Annie’s Cousin Fanny. It caught on, and soon it was the most requested number in the band’s book.
Glenn left the Brothers Dorsey in 1935. The famous English composer and bandleader Ray Noble announced he was coming to America, thus marking the first musical British invasion. Ray hired Glenn as player and arranger, and he helped recruit the musicians, some of whom became household names: Claude Thornhill, Will Bradley, Bud Freeman and George Van Epps among them. The band was well received, but just did not have the success it had when in England. Glenn grew restless and left Noble in late 1936.
It was time to start his own orchestra. The first band would be known later as “The Band That Failed.” Always trying new things, Glenn had not yet found the sound that would later define his breakthrough orchestra. With the help of agent Cy Shribman, the band was booked on a string of one-nighters. The itinerary included a stop in the Sonoma Valley.
On that Saturday night in July of 1937, Glenn Miller and his first orchestra found themselves playing the Boyes Hot Springs Mineral Baths. Tourists from around the world and summering Bay Area residents would flock to Sonoma for vacation activities, and “The Plunge” in the Springs was always number one on the list of places to go for a swim during the day and music at night.
On this evening, the audience didn’t realize it was witnessing musical history. 
It was a good band with good musicians. They recorded some sides for Brunswick and Decca, proving the band could swing, but something was missing. Sadly, the musicians was given notice on New Year’s Eve.  Glenn’s paycheck for the year 1937 was $48. Never discouraged, he would try again. In early 1938 a new band was re-formed and Glenn finally found “The Sound” that would make him a household name.
“The Band That Hits Built,” by late 1939, was the number one orchestra in the country.  Dozens of hit records followed and, two years later, Glenn was presented with the very first Gold Record for his recording of “Chattanooga Choo Choo.”
In 1942, at the height of his popularity, Glenn gave up his orchestra and enlisted in the Army Air Force where he also made musical history directing the Army Air Force Band.  In December of 1944 he left from an airfield at Twinwood Farm in England to fly over the English Channel and make his way to Paris to set up accommodations for the AAF Band that would follow in three days. Glenn was never heard from again.
That was 67 years ago and since that time the Glenn Miller orchestra has never been silenced; it has been led by Tex Beneke, Ray McKinley, Buddy de Franco and currently under the direction of Gary Tole. The music and the memories will live on for those who danced that night in July of 1937 in Boyes Hot springs to the first Glenn Miller Orchestra.
Jeff Gilbert hosts “Jeff’s Joynt” on SUN 91.3 FM weekdays from 3 to 4 p.m.

Thursday, September 1, 2011

“I got to see what it’s like to perform 10 stories in the air with a trombone” | Ottawa Citizen Blogs

Posted from Diigo. The rest of my favorite links are here.



I knew that the New York-based trombonist/cellist Dana Leong was involved in some pretty adventurous music, having played with Steve Coleman, Dafnis Prieto and others. But I did not know until I read this story today that Leong’s work includes collaborating with an aerial dance troupe, and joining the dancers suspended in the air.
Tonight through Saturday, Leong performs with the dance company Project Bandaloop, during a work called Bound(less) at the Great Wall of Oakland (the backside of a large office building).
Leong, who is from the San Francisco Bay Area, last year flew to California every other week for five months to train with Bandaloop.
“We’d do sit-ups and pull-ups and climb up ropes,” Leong told The San Jose Mercury News‘ Andew Gilbert. “I had an intense crash course as to what these dancers and climbers go through. We performed Bound(less) as a work in progress in Costa Mesa, and I got to see what it’s like to perform 10 stories in the air with a trombone.”
Here’s a clip showing Leong’s first attempt at playing while wall-walking and hanging upside-down:

If Leong wants to bring his aerial music-making skills back into the jazz world, here’s a set list he could draw upon:
Air Dancing, Buster Williams
Open Your Eyes, You Can Fly, Flora Purim
500 Miles High, Chick Corea
Take It To The Ozone, Freddie Hubbard
The Spiderman Theme Song
But seriously, good luck to Leong. The next time someone invokes the risk-taking trope when it comes to improvising, I’ll be thinking of him.